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Biography |
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Artist During various periods over the years, I have worked in many different
materials. From words and politics, free form embroidery and gardening followed by words and politics and vegetable dyeing with natural colours to ribbon and rosengang weaving, carding,
matting, working in leather, sweaters with pictures and symbols, words, dirt, children, making dolls for Waldorf schools, tending sheep and creating art, and now Salix, textiles, sculpture,
scrap metal, pelargonium flowers, wood, wrought iron, gardening, words and dirt and art creations mostly in glowing red and reversed alchemical processes and a wish to be part of the
energy-filled movement/ rhythm. The storied pictures you see in the gallery can be likened to collected movements that hide experiences and thoughts, maybe secrets. The other pictures are
fragments of the same stories but in the form of jettisoned movements. From structure/order/ cosmos out into creative chaos. Parts of the
structure is jettisoned. Thinking in rhythm, creating movements, a shape that is rejected. Room in uproar. Dare to see, dare to break patterns. What does the viewer see? Who is the viewer? Who
sees whom?
I started with the beginning course, followed by the intermediate course
and finally the teacher training course to be able to acquire a deeper knowledge and insight into Vedic Art. Vedic Art is not about painting or about painting in a special way. What
is created on the canvas or on the paper is not connected to any criticism. What Vedic Art attempts is for us to find the personal- your very own expression! The courses build on each other
and are process driven. |
cell phn: +46 (0)73-6452 278
Trevisan International Art
Saatchi Gallery, London
TTellus
Art - Art for a cause Mirca Art group
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